ENGL 131 A: Composition: Exposition

Summer 2026 Full-term
Meeting:
MTWTh 9:40am - 10:40am
SLN:
11127
Section Type:
Lecture
NO AUDITORS; NO OVERLOADS CANNOT BE TAKEN IF STUDENT HAS ALREADY RECEIVED A GRADE OF 2.0 OR HIGHER IN ENGL 109/110, 111, 121, 131, OR 182; SYNCHRONOUS LEARNING
Syllabus Description (from Canvas):

English 131 Composition: Exposition. Creating a monster, bird by bird.

 

Dr. Rene Nickel Moore

Class Time and Place: MTWTh, 9:40-10:40, online synchronous

Office: Padelford A507 and Zoom

Office Hours: Monday and Thursday, 10:40-11:30 and by appointment

Email: srmoore2@uw.edu

Important Course Links: 

Class Google folder

Download the full course syllabus, with grading policy

Weekly Modules page

 

Course Description

In the Introduction to Monster Theory Jeffrey Cohen writes that “the monster’s body quite literally incorporates fear, desire, anxiety, and fantasy … The monster’s body is pure culture” (4). In this composition class we will be looking at monsters: the differences they represent, why they appear in literature, and what they reflect about ourselves. You can expect to read a variety of texts, from the eleventh-century Beowulf epic poem to the modern-day manga The Summer Hikaru Died.

We will pair these readings with theoretical work from a variety of scholars, analyze language, and learn about the impact of genre. We will inquire what it means to be a monster, who creates monsters, and how they represent “pure culture.”

In our current cultural context, this discussion is more important than ever. As we discuss monsters and their functions in society, we will inevitably make connections to the events happening worldwide today. It is therefore incredibly important to recognize, and respect, the different experiences and vulnerabilities of your classmates.

As we read these texts, we will explore the fact that racism, xenophobia, sexism, ablism, and queerphobia are not ideas new to the 21st century, nor ideas situated solely in the past. Like monsters, they persist and re-manifest over, and over, and over again. It is my hope that as we embody these stories through speech and discussion, we will become better equipped to identify, deconstruct, and re-create meaning for ourselves today.

 

Structure

This course is designed to promote critical reading and writing skills. Over the eight weeks together, we will read and watch several texts in a variety of genres, as well as some scholarship and commentary on the texts. This is a reading class for writing credit, and as such we will be doing a lot of daily and weekly reading and writing.

On a weekly basis you can expect a Reading Journal assignment that should be completed before each class, as well as regular in-class activities and discussion. We will have a mid-term close-reading writing assignment and at the end of the quarter you will complete a major Adaptation Project. All of your work will cumulate in a Portfolio, in which you will revise a selection of assignments for course completion.

Catalog Description:
Uses a variety of texts across genres to study writing as social action and language as tied to identity, culture, and power. Centers students' language resources and goals in developing rhetorical and research skills for composing ethically and critically across different contexts and genres. Prepares students for writing to audiences both within and beyond the university. Prerequisite: may not be taken if a minimum grade of 2.0 received in either ENGL 111, ENGL 121, or ENGL 131. Offered: AWSp.
GE Requirements Met:
English Composition (C)
Credits:
5.0
Status:
Active
Last updated:
July 10, 2026 - 3:00 am