Contact Information
Fields of Interest
Biography
I study 20th-century literature in English and data science in the humanities. I am especially interested in how historical print cultures are being transferred online through large- and small-scale text digitization efforts and in how digital resources can help us tell new kinds of stories about literary history. I am at work on a book titled Publishing Empire: Colonial Authorship and British Literature, 1900-1940, which offers an early history of the global turn in British literature, highlighting breakout literary works by authors from South Asia, Africa, the Caribbean, and Oceania who published in England before 1940. I am also at work on multiple collaborative projects. I am co-editor of a digital edition of Hope Mirrlees's modernist long poem, Paris. I have worked on multiple projects on Large Language Models and poetry, specifically LLMs' capacities for poetry generation, poetic form evaluation, and handling visual formatting, and I am involved with the collaborative projects Responsible Datasets in Context and the Cultural Analytics Research and Teaching Initiative. My work has appeared in ELH: English Literary History, EMNLP: Empirical Methods in Natural Language Processing, the Journal of Open Humanities Data, Feminist Modernist Studies, Modernism/modernity Print Plus, and the edited collection Expressive Networks: Poetry and Platform Cultures. My research has been supported by ACLS, the Mellon Foundation, the Mozilla Foundation, and the Simpson Center for the Humanities. At UW I lead the Humanities Data Lab, co-lead the Humanities Data Science Summer Institute, serve as core faculty in the Textual and Digital Studies program, and as a Data Science Fellow with the eScience Institute.
Research
Selected Research
- Anna Preus, Siddharth Bhogra, and John Carlyle. “Extracting Publishing Data from the English Catalogue of Books.” Journal of Open Humanities Data 12, no. 1 (2026): 55. https://doi.org/10.5334/johd.499.
- Anna Preus. "Small Press Exoticism: Rabindranath Tagore and the Late Arts and Crafts Movement." ELH 92, no. 4 (2025): 989-1017. https://dx.doi.org/10.1353/elh.2025.a977602.
- Sriharsh Bhyravajjula, Melanie Walsh, Anna Preus, and Maria Antoniak. “So Much Depends / upon / a Whitespace: Why Whitespace Matters for Poets and LLMs.” In Proceedings of the 2025 Conference on Empirical Methods in Natural Language Processing. Association for Computational Linguistics, 2025. https://doi.org/10.18653/v1/2025.emnlp-main.1783.
- Melanie Walsh and Anna Preus. "Not With a Bang but a Tweet: Democracy, Culture Wars, and the Memeification of T.S. Eliot" In Expressive Networks: Poetry and Platform Cultures, edited by Matthew Kilbane. Amherst College Press: 2025. https://doi.org/10.3998/mpub.14525819.
- Melanie Micir and Anna Preus. “Feminist Modernist Collaboration, Then and Now: Digitizing Hope Mirrlees’s Paris.” Modernism/modernity Print Plus 9, no. 4 (July 2025). Special cluster on “Hope Mirrlees’s Paris: A Poem @ 100.” https://doi.org/10.26597/mod.0335.
- Melanie Walsh, Anna Preus, and Elizabeth Gronski. “Does ChatGPT Have a Poetic Style?” Computational Humanities Research 2024. https://doi.org/10.48550/arXiv.2410.15299.
- Melanie Walsh, Anna Preus, and Maria Antoniak. 2024. "Sonnet or Not, Bot? Poetry Evaluation for Large Models and Datasets." In Findings of the Association for Computational Linguistics: EMNLP 2024, pages 15568–15603. https://aclanthology.org/2024.findings-emnlp.914/
- Anna Preus. “All out of print”: modernism, minor forms, and Susan Miles’s anachronistic late style. Feminist Modernist Studies, 3 (1), 51–65. https://doi.org/10.1080/24692921.2020.1724482