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Performance Studies
All content tagged with this term:
People
Catherine Cole
Professor
Stephanie Costa
Part-Time Lecturer
Jacqueline M. Pratt
Graduate Student
Research
Publications
,
Book Chapters
“Adapting Natural Disaster: The Problem of Magical Realism in
Beasts of the Southern Wild
”,
Adaptation as a Collaborative Art – Process and Practice
, ed. Bernadette Cronin & Nikolai Preuschoff, Palgrave MacMillan 2017. [in progress]
Publications
,
Books
O–(ezekiel’s wife).
Print Poetry Book featuring "Hewn Fruit" in collaboration with Colleen Burner, GASHER Journal and Press, November 2019.Audiobook edition of
O–(ezekiel’s wife)
produced with Digital Sound Artist Judith Twedt to feature “climate change soundscapes” with poetry readings, GASHER Journal and Press, March 2020.
The Last Darky: Bert Williams, Black on Black Minstrelsy and the African Diaspora (Duke University Press).
The Last Darky: Bert Williams, Black on Black Minstrelsy and the African Diaspora (Duke University Press, 2006).
The Last Darky: Bert Williams, Black on Black Minstrelsy and the African Diaspora (Duke)
Graduate
,
Dissertations
Ahn, Tae youn.
Second Language Learning in Language-Exchange Interactions: A Sociocultural and Discourse Analytic Study
. 2011. University of Washington, PhD dissertation.
Bourbonnais, Alissa.
Choreographing Memory: Performance and Embodiment in Multimodal Narrative
. 2016. University of Washington, PhD dissertation.
Gutierrez, Brian.
A Dark Ecology of Performance : Mapping the Field of Romantic Literary Celebrity through Gothic Drama
. 2017. University of Washington, PhD dissertation.
Lewis, Sydney Fonteyn.
Looking forward to the Past: Black Women and Sexual Agency in 'Neo' Cultural Productions
. 2012. University of Washington, PhD dissertation.
Rygh, Todd A.
Revels End: A Conceptual History of the Late Medieval and Early Modern English University Stage.
2014. University of Washington, PhD dissertation.
Publications
,
Short Stories and Poems
Katie Kalahan, “Something to Sink Your Teeth Into,” Thin Air Magazine, Web Feature, 2020
Undergraduate
,
Honors Theses
Ricky Spaulding:Really Really Real: Reality in Performance and the Hyperreal in the Plays of Annie Baker
Sam Wooley. “We gon’ see the future first”: Subjection, Melancholy, and Queer Utopian Aesthetics in Frank Ocean’s
Blonde,
2018.
Hilary Roseann Bowen.
Crossing the Frame Between Art and Audience through Movement: Themes of Representation in The Cost of Living.
Honors Thesis, University of Washington. 2014.
Undergraduate
,
Independent Research
Student Research Profile: Hilary Roseann Bowen
Undergraduate
,
Symposia
Hilary Bowen, "Dance with Horses," 2015.
Events mentioning "Performance Studies"
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