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Medieval
All content tagged with this term:
People
John Coldewey
Professor Emeritus
Will Durham
Graduate Student, Teaching Assistant
Brian Hardison
Graduate Student
Christopher Martin
Graduate Assistant, Computer Support
Colette Moore
Associate Professor
Sarah Kathryn (Kate) Moore
Part-time Lecturer
Leila Kate Norako
Assistant Professor
Caitlin Postal
Graduate Student, Teaching Assistant
Robert Stevick
Professor Emeritus
Miceal Vaughan
Professor Emeritus
News
Letter of the Sun to the Crescent Moon: Chaucer's Alchemist Steps Out of the Shadows
-
Nov 3, 2014
Research
Publications
,
Essays and Articles
Hardison, Brian Christopher. “Words, Meanings, and Readings: Reconstructing the Use of Gildas’s
De Excidio Britanniae
at the Canterbury School,”
Viator
47.1 (2016) pp 1–22.
Colette Moore. 2016. “Visual pragmatics: Speech presentation and Middle English manuscripts.” In
Cambridge Handbook of English Historical Linguistics
. Merja Kytö and Päivi Pahta, eds. Cambridge: Cambridge University Press.
Colette Moore. 2016. "Everyday English in late medieval England." In
Imagining Medieval English.
Tim William Machan, ed. Cambridge: Cambridge University Press.
Colette Moore. 2017. "Discourse variation,
mise-en-page
, and textual organisation in Middle English saints' lives." In
Verbal and Visual Communication in Early English Texts
. Matti Peikola, Aleksi Mäkilähde, Hanna Salmi, Mari-Liisa Varila, and Janne Skaffari, eds. Turnhout: Brepols.
Colette Moore. 2017. "So moche ye owe me": speech-like representation in Caxton's
Dialogues in French and English. Nordic Journal of English Studies
16:1
.
171-189.
Robert Stevick. “The Form of the Tara Brooch.”
Journal of the Royal Society of Antiquaries of Ireland
128 (1998).
Publications
,
Books
Colette Moore. 2011.
Quoting Speech in Early English
. Cambridge: Cambridge University Press.
John Webster.
William Temple’s “Analysis” of Sir Philip Sidney’s “Apology for Poetry”
. Medieval and Early Renaissance Texts and Studies. 1984.
Robert Stevick.
The Earliest Irish and English Bookarts: Visual and Poetic Forms before A.D. 1000
. U of Pennsylvania Press. 1994.
Graduate
,
Dissertations
Hardison, Brian Christopher, "Glossing the Past: The Pedagogical Context of the Gildasian Glosses Preserved in the Corpus Glossary (Cambridge, Corpus Christi College 144)," unpublished MPhil dissertation, 2013
Hardison, Brian Christopher. "A Scribal Edition of a Thirteenth-Century Witness to Gildas’
De excidio Britanniae
Preserved in Cambridge, University Library, Ff. I. 27." PhD Dissertation
Todd A. Rygh.
Revels End: A Conceptual History of the Late Medieval and Early Modern University Stage
. Dissertation, University of Washington. 2014.
Graduate
,
Masters Essays
Hardison, Brian Christopher. "Glossing the Past: The Pedagogical Context of the Gildasian Glosses Preserved in the Corpus Glossary (Cambridge, Corpus Christi College 144)," unpub. MPhil dissertation, University of Cambridge, 2013
Undergraduate
,
Independent Research
Student Research Profile: Brian Hardison
Undergraduate
,
Honors Theses
Ian Nathaniel James.
De historiis sensis: Perceiving Alternative Histories through Medieval Historiography.
Honors Thesis, University of Washington. 2014.
Publications
,
Book Chapters
John Coldewey. “Secrets of God’s Creatures: Talking Animals in Medieval Drama.”
European Medieval Drama 1998 Papers from the Third International Conference on Aspects of European Medieval Drama
. Vol. 3, ed. Sydney Higgins. Camerino. 2000. 215-232.
John Coldewey. “The Way Things (Never) Were: Spiritual Nostalgia in Medieval English Plays.”
European Medieval Drama 1997: Papers from the Second International Conference on ‘Aspects of European Medieval Drama
. Vol. 2, ed. Sydney Higgins. Camerino. 1997. 41-68.
Events mentioning "Medieval"
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