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Experimental
All content tagged with this term:
People
Szu-Han (Sophia) Chen
Graduate Student
David Crouse
Professor
BrittNEY Frantece
Graduate Student, Predoctoral Instructor
Ziqi Jin
Graduate Student, Predoctoral Instructor
Jasmine Khaliq
Graduate Student
Rachel Lee
Graduate Student
Jerico Lenk
Graduate Student, Predoctoral Instructor
Sarah Kathryn (Kate) Moore
Part-time Lecturer
Caitlin Palo
Graduate Student
Brian Reed
Professor, Divisional Dean of Humanities, Milliman Endowed Chair in the Humanities
Research
Publications
,
Essays and Articles
"Eden or Ebb of the Sea’: Susan Howe’s Word Squares and Postlinear Poetics.”
Postmodern Culture
14.2 (January 2004). Web.
"Setting a Poem: A. J. Carruthers’ ‘Music, After Michael Dransfield.’"
Waiguo Wenxue Yanjiu
[Foreign Literature Studies] 39.3 (June 2017): 7-15.
“Another Dimension: Sweeney Reed’s Visual Poetics.”
Antipodes
32.1-2 (2018): 195-208
“Becoming Marjorie Perloff.”
Jacket2
. Kelly Writers House, 8 November 2012. Web.
“Hard Going: Resisting the Fantasy of Distance’s Irrelevance.”
Hyperrhiz
no.7 (Spring 2010). Web.
“Null Appropriate: On the Untimeliness of the Avant-Garde.”
Lana Turner
no. 7 (2014): 315-19.
“On Mary Ellen Solt’s ‘Forsythia.’”
Coldfront
. 9 November 2015. Web.
“Palpable Stoppages: Rae Armantrout’s Poetics of Silence.”
Foreign Literature Studies
[外国文学研究] 43.3 (June 2021): 13-32.
“Somewhere Bluebirds Fly: Jackson Mac Low Directs a Poetry Reading.”
Amodern
no. 4 (Spring 2015). Web.
“Stanisław Dróżdż: From Conceptual Poem to Concept-Shape.”
Jacket2
. University of Pennsylvania. 5 February 2016. Web.
“To Venture Outward: Sueyeun Juliette Lee’s ‘Korea’.”
Arcade,
Stanford University, August 2015. Web.
“’Feels Deeply / Cannot Understand’: John Ashbery,
The Tennis Court Oath
and Queer Affect.”
Journal of Foreign Languages and Cultures
2.1 (June 2018): 1-7.
Publications
,
Book Chapters
"Give Them What They Want: Populist Rhetoric in Conceptual Art and Writing.”
Postscript: Writing after Conceptual Art
, ed. Andrea Andersson. Toronto: University of Toronto Press, 2018. 152-67.
“Now That’s Poetry: Vito Acconci, Conceptual Writing, and Poetic Nominalism.”
Inciting Poetics: Thinking and Writing Poetry
, ed. Jeanne Heuving and Tyrone Williams. Albuquerque: University of New Mexico Press, 2019. 192-224.
“Sherwin Bitsui’s Blank Dictionary: Navajo Poetics and Non-Indigenous Readers.”
The Fate of Difficulty in the Poetry of Our Time
, ed. Charles Altieri and Nicholas Nace. Chicago: University of Chicago Press, 2017. 189-99.
“The New York School.”
The Cambridge History of American Poetry
, eds. Alfred Bendixen and Stephen Burt. New York: Cambridge University Press, 2014. 844-68.
“Twentieth-century Poetry and the New York Art World.”
A Concise
Companion to Twentieth-century American Poetry
, ed. Stephen Fredman. Oxford: Blackwell, 2005. 113-34.
Publications
,
Books
Nobody's Business: Twenty-First Century Avant-Garde Poetics
. Ithaca: Cornell University Press, 2013.
O–(ezekiel’s wife).
Print Poetry Book featuring "Hewn Fruit" in collaboration with Colleen Burner, GASHER Journal and Press, November 2019.Audiobook edition of
O–(ezekiel’s wife)
produced with Digital Sound Artist Judith Twedt to feature “climate change soundscapes” with poetry readings, GASHER Journal and Press, March 2020.
Publications
,
Edited Collections
Situating El Lissitzky: Vitebsk, Berlin, Moscow
, ed. Nancy Perloff and Brian Reed. Los Angeles: Getty Research Institute, 2003.
Graduate
,
Dissertations
Bourbonnais, Alissa.
Choreographing Memory: Performance and Embodiment in Multimodal Narrative
. 2016. University of Washington, PhD dissertation.
Undergraduate
,
Honors Theses
Lauren Davis: An Investigation of the Unique Ways Speculative Fiction Can Interrogate Systems of Power, Through an Analysis of N. K. Jemisin’s
The Broken Earth
Trilogy
Events mentioning "Experimental"
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