| Author/Title |
Research Type |
Related Fields |
| Rhema Hokama, “Shylock in Fuquieo: Shakespeare’s The Merchant of Venice and the trial of a Portuguese stranger by China’s courts in Richard Hakluyt’s Principal Navigations,” Multicultural Shakespeare: Translation, Appropriation, and Performance 29, no. 44 (2024): 39–60. |
Publications, Articles |
16th Century, 17th Century, Drama, History, Renaissance, Shakespeare, Theater History, Transnational |
| Rhema Hokama, “Shakespeare’s Cathayans: Twelfth Night, maritime exchange, and early modern China,” Notes and Queries 70, no. 4 (2023): 254–9. |
Publications, Articles |
16th Century, 17th Century, Drama, History, Race and Ethnicity, Shakespeare, Theater History, Transnational |
| Rhema Hokama, “Shakespeare in Hawai‘i: Puritans, Missionaries, and Language Trouble in a Hawaiian Pidgin Translation of Twelfth Night,” Multicultural Shakespeare: Translation, Appropriation and Performance 18 (2018): 57–77. |
Publications, Articles |
16th Century, 17th Century, Drama, History, Multilingualism, Renaissance, Second Language Acquisition, Shakespeare, Sociolinguistics, Theater History |
| Alain Badiou and Nicolas Truong’s In Praise of Theatre. Theatre Journal 68.3 (2016). |
Publications, Reviews |
Theater History |
| “Adapting Natural Disaster: The Problem of Magical Realism in Beasts of the Southern Wild”, Adaptation as a Collaborative Art – Process and Practice, ed. Bernadette Cronin & Nikolai Preuschoff, Palgrave MacMillan 2017. [in progress] |
Publications, Book Chapters |
African American, Ecocriticism, Environment, Film/Cinema, Performance Studies, Popular Culture, Theater History |
| Catherine M. Cole, Ghana's Concert Party Theatre, Indiana University Press, 2001. |
Publications, Books |
African, Theater History |
